相关问答
1、《镜子的另一面：纽波特民歌艺术节1963~1965》什么时候上映的?
麻豆影视网友：《镜子的另一面：纽波特民歌艺术节1963~1965》0在美国上映，麻豆影视平台上架时间：2025-06-07
2、镜子的另一面：纽波特民歌艺术节1963~1965播放平台推荐？
百度贴吧网友：免费观看地址：https://taolijiataoci.com/vd/172381.html，还可以在腾讯、爱奇艺 、优酷等平台观看。
3、《镜子的另一面：纽波特民歌艺术节1963~1965》评价怎么样？
各自欢喜网友评价：有唐嫣的片子，基本就这个定位了
陆小白网友评价：给我的盗墓。
宋橙。网友评价：什么鬼？！我看完之后竟无言以对 剧情真的是扯淡 一颗星给电影不要那么惨 一颗星给姚晨。
橘川网友评价：杨加林带着杨萍和胡八一发现妖塔之前，我都觉得这是一部还不错的电影，之后就不知道它在讲什么了……简而言之就是鬼扯和卧槽。姚晨不适合杨萍这个角色，演得好假好作，感觉她自己都绷不住随时要笑出来一样。
剧情简介
镜子的另一面：纽波特民歌艺术节1963~1965别名：jingzidelingyimianniubotemingeyishujie19631965
网友评分：3.0，评分人数：244人次
本站上架时间：2025-06-07
《镜子的另一面：纽波特民歌艺术节1963~1965》是由Murray Lerner导演的欧美综艺，未知年上映.
领携主演有：Bob Dylan,Joan Baez,Judy Collins等。
"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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综艺·周榜